Concert History

178
SHOWS

18 years of live music. From NC State house parties to NOLA Jazz Fest to Kraftwerk. This is what it looks like when electronic music is your religion.

0
Confirmed Shows
0
Peak Year (2023 & 2024)
0
Terminal West Shows
$0
Est. Spent 2022โ€“2024

The Arc

178 shows over 18 years, but not evenly distributed. Your concert life has a clear shape: discovery, a dip, a NYC interlude, then an explosion โ€” and parenthood didn't slow you down. It accelerated you.

2
Shows in 2016 & 2017
22
Shows in 2019 (hunting era)
2
Shows in 2020 (COVID)
29
Shows in 2023 & 2024
Kids didn't slow you down. Ruby was born in 2022. You went to 21 shows that year. Then 29. Then 29 again.

Your Venues

You prefer the 800โ€“1,100 cap sweet spot: big enough for real production, small enough to feel the artist. Terminal West is your church. 17 shows over 12 years. The Eastern is your new home (2022 onward).

Venue capacity vs. how many times you've been. The sweet spot is 800โ€“1,100.

Electronic. Always.

84โ€“91% of your Spotify listening hours fall in the electronic umbrella โ€” every year, without exception, since 2012. Your concert choices confirm it. This isn't a phase. This is your native frequency.

0
% Electronic
Electronic / Dance
87%
Indie / Alternative
6%
Jazz / World
4%
Everything else
3%

Range: 84โ€“91% across every year 2012โ€“2024. You went more electronic after kids, not less.

๐ŸŽต

Your genre arc within electronic: liquid DnB (2012โ€“14) โ†’ nu-disco/indie electronic (2015โ€“18) โ†’ downtempo/world (2019โ€“20) โ†’ everything simultaneously (2021+). But the 87% electronic floor never moved.

The Concert Squad

Cross-referenced your 71-friend CRM. 100% of friends tagged "Music" are also tagged "Dance" โ€” same activity, same people. These 7 are the ones who answer the text blast.

The Recruiter Pattern

iMessage archives show a clear behavioral signature: when you find a show, you mass-text 5โ€“7 people within hours. Every time.

"I'm planning on going to an awesome show tonight"
Polo & Pan ยท Terminal West ยท Nov 2019 ยท 6+ people texted
"It's a bit last min, but want to hit up Big Gigantic tonight?"
Big Gigantic ยท Feb 2023 ยท Same-day text blast
"Moon Boots is playing tonight at District... Very good. Just putting that out there"
Moon Boots ยท District Atlanta ยท Jun 2021
"I've got tickets... I got an extra ticket"
Polish Ambassador ยท Apr 2023 ยท AXS ticket transferred same night

This is concert evangelism as social infrastructure. The show is the pretext. The connection is the point. External structure (a time, a place, a specific artist) removes the executive-function cost of open-ended "let's hang out."

The Gap

Your two heaviest Spotify artists of all time โ€” Camo & Krooked (62 hrs) and Tosca (52 hrs) โ€” you've never seen live. Your streaming taste leans heavily European. Atlanta's touring market doesn't book most of them.

Seen live
Never seen (touring gap)
Never seen (retired / rare)
๐Ÿ‡ฌ๐Ÿ‡ง

The artists you stream most but can't see: Camo & Krooked, London Elektricity, High Contrast, Danny Byrd, Mr. Scruff โ€” all UK/European. They don't tour Atlanta. This is the entire backstory of your DnB era existing only in headphones.

~340h
Streamed artists never seen live
~400h
Streamed artists seen live
1โ€“3 yrs
How early you typically discover artists

Concert Calendar

Spring (Febโ€“May) and fall (Sepโ€“Nov) are your peak windows. Atlanta's touring circuit hits the Southeast in those weather windows, and you hit back.

Fewer
More

Milestones

Out of 178 shows, a handful defined the whole arc.

2012
The Church Opens
First Terminal West show โ€” Dell & Wicket the Instigator. You'd come back 16 more times. The venue that built your standard for what live music should feel like.
2013
14 Shows. Peak Early ATL.
Best year of your early Atlanta era. Discovering the city, running through every venue, 14 shows in 12 months. The pace you'd later return to.
2016โ€“2017
The Quiet Years
2 shows each year. Life transition. The data doesn't say why โ€” but you were still going to Imagine Fest, still listening, just quieter on the live front.
2018
NOLA Jazz Fest
7 GA tickets, Weekend 1 (Apr 27โ€“29). The whole crew. Confirmed via Gmail ticket receipt. One of the only multi-day destination festival trips in the entire dataset.
2019
22 Shows. The Hunt.
Peak active concert-hunting year. Songkick fully integrated into your workflow. Polo & Pan, Mark Farina, SOFI TUKKER x2, Cake in Dallas. You were operating at full velocity.
2020
2 Shows. COVID.
RJD2 in January (confirmed), then the world stopped. You compensated with 1,234 hours of Spotify โ€” a 74-day unbroken listening streak at 4.3 hrs/day.
2022
Kids & Concerts. Both.
Ruby born in 2022. You went to 21 shows. You started emoji-marking concerts (๐ŸŽต) that year โ€” the behavior of someone who knows time is precious and wants to be deliberate about it.
2023
29 Shows. LCD Soundsystem.
All-time record. The Re:SET show โ€” LCD Soundsystem confirmed via Ticketmaster receipt. AXS ticket transferred to a friend the same night. Your most prolific year.
2024
29 Again. Tinariwen.
Tied the record. July: Tinariwen with Cole โ€” a world music discovery that became your #1 Spotify artist (10.59 hrs) before you ever saw them live. See-then-stream in reverse.
2025
Kraftwerk. $278. Bucket List.
The Eastern, March 23. $278 for a single ticket โ€” the highest per-show spend in the financial record, outside multi-day festivals. Chrome history: "THANKS! YOUR PURCHASE IS COMPLETE." Confirmed.

What the Data Says

Seven observations that are harder to argue with now that there are 178 data points behind them.

01
Concerts are your relationship infrastructure
Not metaphorically. The 7-person text blast before every show is relationship maintenance. The show provides external structure that removes the executive-function cost of open-ended "let's hang out."
02
Parenthood made you more intentional, not less
9 shows (2021) โ†’ 21 (2022, Ruby's birth year) โ†’ 29 โ†’ 29. The constraint of limited time made you protect concert-going rather than let it slide. You emoji-marked every show starting in 2022.
03
Terminal West is your church
17 shows over 12 years. 800-cap, no-frills, artist-focused. You consistently choose proximity to the music over spectacle. The few arena shows were special occasions, not habits.
04
Your taste is ahead of the market
Netsky (2012, before US DnB visibility), Polo & Pan (2019, pre-breakout), Jungle (2019, broke 2023+), Lane 8 (2016, became headliner later). Generally 1โ€“3 years ahead of mainstream electronic trends.
05
The gap is geographic, not personal
Your top un-seen artists (Camo & Krooked, Tosca, London Elektricity, High Contrast) are almost entirely European acts who don't tour Atlanta. Your streaming taste is more global than any market can serve.
06
Some shows are for Jeannie, not for you
Alanis Morissette, Taylor Swift, Tears for Fears โ€” zero Spotify presence, confirmed calendar entries. Date night shows serve a different function than your music shows. Both are intentional.
07
178 is a lower bound
Pre-2012 data is sparse. Terminal West photos don't GPS-tag. dperkispr@gmail.com hasn't been searched. Facebook Messenger raw data isn't on disk. The real number is likely 220โ€“250+.